Love SmS In hindi english urdu in marathi messages hindi girlfriend images tamil in hini shayari

Love Friendship SMS In Hindi English Urdu In Marathi Messages Hindi Girlfriend Images Tamil In Hindi Shayari Bangla

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Love Friendship SMS  Definition</h2>
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<b>Source link (google.com.pk)</b></div>
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Folk traditions</div>
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While the European folk traditions connected with St. Valentine and St. Valentine's Day have become marginalized by the modern Anglo-American customs connecting the day with romantic love, there are some remaining associations connecting the saint with the advent of spring.</div>
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While the custom of sending cards, flowers, chocolates and other gifts originated in the UK, Valentine's Day still remains connected with various regional customs in England. In Norfolk, a character called 'Jack' Valentine knocks on the rear door of houses leaving sweets and presents for children. Although he was leaving treats, many children were scared of this mystical person.</div>
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In Slovenia, St Valentine or Zdravko was one of the saints of spring, the saint of good health and the patron of beekeepers and pilgrims A proverb says that "St Valentine brings the keys of roots". Plants and flowers start to grow on this day. It has been celebrated as the day when the first work in the vineyards and in the fields commences. It is also said that birds propose to each other or marry on that day. Another proverb says "Valentin – prvi spomladin" ("Valentine — the first spring saint"), as in some places (especially White Carniola), Saint Valentine marks the beginning of spring. Valentine's Day has only recently been celebrated as the day of love. The day of love was traditionally March 12, the Saint Gregory's day, or February 22, Saint Vincent's Day. The patron of love was Saint Anthony, whose day has been celebrated on June 13</div>
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Connection with romantic love</div>
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Lupercalia</div>
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Main article: Lupercalia</div>
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There is no evidence of any link between Saint Valentine's Day and the rites of the ancient Roman festival, despite many claims by many authors[notes 1] The celebration of Saint Valentine did not have any romantic connotations until Chaucer's poetry about "Valentines" in the 14th century.</div>
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Popular modern sources claim links to unspecified Greco-Roman February holidays alleged to be devoted to fertility and love to St. Valentine's Day, but prior to Chaucer in the 14th century, there were no links between the Saints named Valentinus and romantic love Earlier links as described above were focused on sacrifice rather than romantic love. In the ancient Athenian calendar the period between mid-January and mid-February was the month of Gamelion, dedicated to the sacred marriage of Zeus and Hera.</div>
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In Ancient Rome, Lupercalia, observed February 13–15, was an archaic rite connected to fertility. Lupercalia was a festival local to the city of Rome. The more general Festival of Juno Februa, meaning "Juno the purifier "or "the chaste Juno", was celebrated on February 13–14. Pope Gelasius I (492–496) abolished Lupercalia. Some researchers have theorized that Gelasius I replaced Lupercalia with the celebration of the Purification of Mary in February 14 and claim a connection to the 14th century's connotations of romantic love, but the dates don't fit and there is no historical indication that he ever intended such a thing.[notes 2]</div>
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Alban Butler in his Lifes of the Principal Saints (1756–1759) claimed without proof that men and women in Lupercalia drew names from a jar to make couples, and that modern Valentine's letters originated from this custom. In reality, this practice originated in the Middle Ages, with no link to Lupercalia, with men drawing the names of girls at random to couple with them. This custom was combated by priests, for example by Frances de Sales around 1600, apparently by replacing it with a religious custom of girls drawing the names of apostles from the altar. However, this religious custom is recorded as soon as the 13th century in the life of Saint Elizabeth of Hungary, so it could have a different origin</div>
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Geoffrey Chaucer by Thomas Hoccleve (1412)</div>
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Chaucer's love birds</div>
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The first recorded association of Valentine's Day with romantic love is in Parlement of Foules (1382) by Geoffrey Chaucer. Chaucer wrote:</div>
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For this was on seynt Volantynys day</div>
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Whan euery bryd comyth there to chese his make.</div>
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["For this was on Saint Valentine's Day, when every bird cometh there to choose his mate."]</div>
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This poem was written to honor the first anniversary of the engagement of King Richard II of England to Anne of Bohemia. A treaty providing for a marriage was signed on May 2, 1381. (When they were married eight months later, they were each only 15 years old).</div>
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Readers have uncritically assumed that Chaucer was referring to February 14 as Valentine's Day; however, mid-February is an unlikely time for birds to be mating in England. Henry Ansgar Kelly has pointed out that Chaucer could be referring to May 3, the celebration in the liturgical calendar of Valentine of Genoa, an early bishop of Genoa who died around AD 307 Jack B. Oruch says that date for the start of Spring has changed since Chaucer's time because of the precession of equinoxes and the introduction of the Gregorian calendar in 1582. The weather would correspond to the modern 23 February, a time when some birds have started mating and nesting in England.</div>
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Chaucer's Parliament of Foules is set in a fictional context of an old tradition, but in fact there was no such tradition before Chaucer. The speculative explanation of sentimental customs, posing as historical fact, had their origins among 18th-century antiquaries, notably Alban Butler, the author of Butler's Lives of Saints, and have been perpetuated even by respectable modern scholars. Most notably, "the idea that Valentine's Day customs perpetuated those of the Roman Lupercalia has been accepted uncritically and repeated, in various forms, up to the present</div>
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There were three other authors who made poems about birds mating in Saint Valentine's Day around the same years: Otton de Grandson from Savoy, John Gower from England, and a knight called Pardo from Valencia. Chaucer most probably predated all of them, but, due to the difficulty of dating medieval works, we can't know for sure who of the four had the idea first and influenced the others</div>
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Medieval period and the English Renaissance</div>
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Using the language of the law courts for the rituals of courtly love, a "High Court of Love" was probably established by princess Isabel of Bavaria in Paris in 1400. It was founded on 6 January, the festivity of a Bavarian Saint Valentin, with The Charter of the Court of LoveThe court dealt with love contracts, betrayals, and violence against women. Judges were selected by women on the basis of a poetry reading. It was probably based on the poems of Grandson, and not on the poems of Chaucer It is possible that the actual Court never existed and that it was all an invention of the princess.</div>
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The earliest surviving valentine is a 15th-century rondeau written by Charles, Duke of Orléans to his wife, which commences.</div>
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Je suis desja d'amour tanné</div>
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Love Friendship SMS In Hindi English Urdu In Marathi Messages Hindi Girlfriend Images Tamil In Hindi Shayari Bangla

Love Friendship SMS Definition Source link (google.com.pk) Folk traditions While the European folk traditions connected with St. ...

Love SMS Quotes In Hindi English Urdu In Marathi Messages Hindi Girlfriend Images Tamil In Hindi Shayari Bangla

Unknown 0 Love SMS Quotes 08:57

<h2>
Love SMS Quotes Dinition</h2>
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<b>ource link( google.com.pk)</b></div>
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<b>S</b>This is a list of fictional characters, main characters as well as some supporting characters from The Wallflower, a Japanese manga and anime series. The manga's plot focuses on Sunako Nakahara, a girl who was called ugly by the first boy she had a crush on and isolated herself from life, sociality and care for her physical appearance. Four handsome boys, Kyouhei, Takenaga, Yuki and Ranmaru must try to turn her into a lady to please her aunt who is also their landlady, with the promise that they won't have to pay the rent if they succeed. However, their task is not made easy due to Sunako's depressive and gloomy nature</div>
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Voiced by: Yukiko Takaguchi (Japanese), Hannah Alcorn (English) Live-Action: Aya Omasa</div>
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Sunako always had an obsession with darkness and a morbid fascination with blood, horror movies, and similarly dark things but it wasn't until she was rejected by her first love that she openly expressed it and became even more isolated from the rest of the world. She hates excessive light exposure and also does poorly in hot weather, though the latter is because she grew up in northern Japan. She has three "friends"; a skeleton called Josephine (with husband, sergeant George) and two anatomical figures named Hiroshi-kun and Akira-kun. While she suffers from severely low self-esteem, she is actually quite beautiful (most of her physical imperfections are a result of her self-imposed isolation from the world) and a frighteningly tough fighter, being able to lift someone twice her size with one hand, she is also surprisingly wise for someone her age and will give good advice to her friends (even if she doesn't realize it). She is also shown to be quite blunt saying what is on her mind with no hesitation, unless she is asking the "radiant beings" for a favor. She is portrayed (mostly) throughout the manga in chibi form as a sort of visual metaphor for how she and others see herself; becoming beautiful when her mood becomes bold or confident. Somewhat surprisingly, she is a very good cook, very athletic, intelligent, and a good pianist. She refers to beautiful people as "creatures of light" and "ugly" people, such as herself, as "creatures of darkness", in the translation in America. Whenever she sees a "creature of light", she gets nosebleeds, and they're usually severe when she sees Kyohei. Despite her negative attitude, once she is driven to do something, Sunako is quite capable of doing things that no one expects her to complete. There is also a possibility that she may have supernatural abilities i.e. plants wilting near her and windows shattering. She is also the niece of Mine Nakahara; she is called " Auntie " by Kyohei, Yuki, Ranmaru, and Takenaga.</div>
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Her relationship with Kyohei is somewhat unclear, saying that she always wants to kill him, and even going to the extent of turning into a lady temporarily to get him back. Her reason is that "she's the only person who can kill him". She has not, however, thought of or mentioned killing him for many chapters, not even after he kissed her. Recent chapters have seen her forget her first crush, and she is now more open to other people, including her peers and teachers at school. She's also having less and less nosebleeds and though protests at first, doesn't greatly mind spending time with Kyohei. During chapter 100, Sunako's Curse, Sunako is seen kissing Kyohei (the first time she has initiated a kiss) after she put a curse on him, of living spirits. In the chapter A Present For You, she is seen giving Kyohei a hand-made present to remind him of the good memories with his mother. She also thinks of her housemates as more than just that, as stated in a previous chapter of the manga she thought that they were "Closest friends." She is also shown to be very protective of her friends even going to the point of trying to murder or kill the person who hurt them (even if she does try to kill Kyohei).</div>
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Kyohei Takano</div>
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Kyouhei Takano (?? ?? Takano Kyohei?)</div>
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Voiced by: Showtaro Morikubo (Japanese), Josh Grelle (English) Live-Action: Kazuya Kamenashi</div>
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While he says that all he cares about is getting free (or the lowest amount required to be paid) rent, he has a soft spot for Sunako and empathizes with her more so than the others. He is the most popular of the boys, and always has trouble keeping down a part-time job because his fans will chase after him, or his boss (male or female) will sexually harass him. Kyohei is cocky, short-tempered, and the only one tough enough to fight on the same level as Sunako. His hair is modeled after Tackey of Tackey & Tsubasa. He also tends to succumb to food and money. Since Sunako is the only girl who is able to understand his true personality regardless of his good looks, he gradually develops an obvious attraction towards her, even going as far as kissing her for no apparent reason. In latest chapters he seems to be aware of his feelings to at least a small degree, looking at a loss when it seems Sunako loves a guy (she doesn't) and when witnessing said guy hugging a girl he rushes to find Sunako after buying chocolates 'for himself' (to console her- he doesn't eat a single one). He seems to have softened towards her more in chapter 91, telling her she's fine just the way she is when she's upset, scolding her for lying on a dangerous place and telling the 'old man' who talked to her not to fill Sunako's head with too many strange ideas, that he and the others would be worried if she went to the underworld.</div>
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Takenaga Oda</div>
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Takenaga Oda (?? ?? Oda Takenaga?)</div>
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Takenaga Oda</div>
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Voiced by: Tomokazu Sugita (Japanese), Vic Mignogna (English) Live-Action: Hiroki Uchi</div>
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The most intellectual of the four, Takenaga is called the "Boss" (a pun on his personal name in Japanese, which can be read as buchou, meaning "boss") by his friends and is the least fazed by Sunako's morbid habits. When the quartet dress Sunako up, Takenaga is usually responsible for doing Sunako's hair. Takenaga was originally from a wealthy family descended from flower masters (ikebana), but when the pressure of being the family heir was too much, he became completely withdrawn and ignored everyone. He was sent to live at the Landlady's mansion in hopes of becoming more "normal". He is described as a caring feminist and is rather shy. He is currently going out with Noi, whom he affectionately calls "Noi-chi", it is also quite possible that he has a jealous personality. Shown in the manga where he thought he might lose Naie to another guy. His name is derived from Oda Nobunaga (in fact it was once suggested in the anime that Takenaga was a direct descendant of Nobunaga) and his reference to Noi as "Noi-chi" is probably a reference to Oichi, a sister of Nobunaga.</div>
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Love SMS Quotes Dinition ource link( google.com.pk) S This is a list of fictional characters, main characters as well as some supportin...

Love Quotes SMS In Hindi English Urdu In Marathi Messages Hindi Girlfriend Images Tamil In Hindi Shayari Bangla

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Urdu poetry ( Urdu Shairi ) is a rich tradition of poetry and has many different forms which were basically originated from Arabic and borrowing much from the Persian language, it is today an important part of the cultures of Pakistan and India. Like other languages, the history of Urdu poetry shares origins and influences with other linguistic traditions within the Urdu-Hindi-Hindustani mix. Literary figures as far back as Amir Khusro (1253-1325 CE) and Kabir (1440–1518 CE) inspired later Urdu poets, and served as intellectual and linguistic sources. Meer, Dard, Ghalib, Anis, Dabeer, Iqbal, Zauq, Josh, Jigar, Faiz, Firaq and Faraz are among the greatest poets of Urdu. The tradition is centered in the South Asia. Following the Partition of India in 1947, it found major poets and scholars residing primarily in modern Pakistan. Mushairas (or poetic expositions) are today held in metropolitan areas worldwide.</div>
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Ghazal, is a set of two liner couplets, which strictly should end with the same rhyme and should be within one of the predefined meters of Ghazals.There has to be minimum of five couplets to form a Ghazal. Couplets may or may not have same thought. It is one of the most difficult forms of poetry as there are many strict parameters that one needs to abide by while writing Ghazal.</div>
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Hamd is a poem in praise of Allah. The word "hamd" is derived from the Qur'an, its English translation is "Praise".</div>
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Marsiya (or elegy), is nearly always on the death of Hasan and Husain and their families, but occasionally on the death of relatives and friends. It is usually in six-lined stanzas with the rhyme aaaabb. The recitation of these elegies in the first ten days of Muharram is one of the greatest event in Muslim life. A fully developed marsiya is always an epic. The famous marsia writers who inherited the tradition of Mir Anis among his successive generations are Mir Nawab Ali 'Munis', Dulaha Sahab 'Uruj', Mustafa Meerza urf Piyare Sahab 'Rasheed', Syed Muhammad Mirza Uns, Ali Nawab 'Qadeem', Syed Sajjad Hussain "Shadeed" Lucknavi, Allama, Dr.Syed Ali Imam Zaidi, "Gauher" Luckhnavi the(great grandson of Mir Babber Ali Anis).</div>
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Masnavi, in the majority of cases a poetic romance. It may extend to several thousand lines, but generally is much shorter. A few masnavis deal with ordinary domestic and other occurrences. Mir and Sauda wrote some of this kind. They are always in heroic couplets, and the common metre is bacchic tetrameter with an iambus for last foot. The Religious masnavi History of Islam (Tarikh-e-Islam Az Quran) written by Dr. Syed Ali Imam Zaidi Gauher Lucknavi.</div>
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Naat is a poetry that specifically praises the Islamic prophet Muhammad.</div>
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Nazm Urdu nazm is a major part of Urdu poetry. From Nazeer Akarabadi, Iqbal, Josh, Firaq, Akhtarul Iman to down the line Noon Meem Rashid, Faiz, Ali Sardar Jafri and Kaifi Azmi. They have covered common life, philosophical thinking, national issues and the precarious predecament of individual human being.As a distinct form of Nazm many Urdu poets influenced by English and other European poets took to writing sonnets in Urdu language. Azmatullah Khan (1887-1923) is believed to have introduced this format to Urdu Literature. The other renowned Urdu poets who wrote sonnets were Akhtar Junagarhi, Akhtar Sheerani, Noon Meem Rashid, Zia Fatehabadi, Salaam Machhalishahari and Wazir Agha.</div>
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Qasida, a kind of ode, often panegyric on a benefactor, sometimes a satire, sometimes a poem dealing with an important event. As a rule it is longer than ghazal, but it follows the same system of rhyme.</div>
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Qawwali, is a form of Urdu poetry read along with devotional music, A Qawwali is almost always dedicated to particular Sufi.</div>
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Shayari, a beautiful musical form of Urdu poetry allows a person to express the deepest feelings through words. It lets you explain sentiments in all their forms through rhythmic words.</div>
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Ruba'i, is a poetry style, the Arabic term for "quatrain". The plural form of the word, ruba?iyat, often anglicised rubaiyat, is used to describe a collection of such quatrains.</div>
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Tazkira, biographical anthology, almost always of poetry alone. This is often a mere collection of names with a line or two of information about each poet, followed by specimen of his composition. On the other hand it may be the history of Urdu poetry with copious illustrative extracts. The best tazkiras give biographical details, but fail in literary criticism, and we get little idea of style or poetical power, still less of contents of poems. Even the large anthologies do not systematically review an author's work. Most of them have the names in alphabetical order, but one or two prefer historical order. The majority quote only lyrics, and the quotations, usually chosen at random, do not illustrate poetry.</div>
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Literature in Hindi languages (Hindi: ?????? ???????) includes literature in the various Central Zone Indo-Aryan languages which have writing systems. It is broadly classified into four prominent forms (styles) based on the date of production. They are :</div>
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Vir-Gathas (poems extolling brave warriors) – 11th–14th century</div>
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Bhakti era poems (devotional poems) – 14th–18th century</div>
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Riti or Srngar poems (poems of romance) – 18th–20th century</div>
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Adhunik literature (modern literature) – 20th century onwards</div>
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The literature was produced in dialects such as Braj, Bundeli, Awadhi, Kannauji, Khariboli, Marwari, Angika, Vajjika, Maithili, Magahi and Bhojpuri. From 20th century, works produced in Standard Hindi, a register of Hindustani, is sometimes regarded as the only basis of modern literature in Hindi.</div>
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Literature of Adi kal (c. before 15th century CE) was developed in the regions of Kannauj, Delhi, Ajmer stretching up to central India. Prithviraj Raso, an epic poem written by Chand Bardai (1149 – c. 1200), is considered as one of the first works in the history of Hindi literature. Chand Bardai was a court poet of Prithviraj Chauhan, the famous ruler of Delhi and Ajmer during the invasion of Muhammad of Ghor.</div>
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Jayachand, the last ruler of Kannauj belonging to the Rathore Rajput clan, gave more patronage to Sanskrit (which was no longer the common man's language in this period) rather than local dialects. Harsha, the author of Naishdhiya Charitra, was his court poet. Jagnayak (sometimes Jagnik), the royal poet in Mahoba, and Nalha, the royal poet in Ajmer, were the other prominent literary figures in this period. However, after Prithviraj Chauhan's defeat in the Second Battle of Tarain, most literary works belonging to this period were destroyed by the army of Muhammad of Ghor. Very few scriptures and manuscripts from this period are available and their genuineness is also doubted.</div>
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Some Siddha and Nathpanthi poetical works belonging to this period are also found, but their genuineness is again, doubted. The Siddhas belonged to the Vajrayana, a later Buddhist cult. Some scholars argue that the language of Siddha poetry is not an earlier form of Hindi, but Magadhi Prakrit. Nathpanthis were yogis who practised the Hatha yoga. Some Jain and Rasau (heroic poets) poetry works are also available from this period.</div>
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In the Deccan region in South India, Dakkhini or Hindavi was used. It flourished under the Delhi Sultanate and later under the Nizams of Hyderabad. It was written in the Persian script. Nevertheless, the Hindavi literature can be considered as proto-Hindi literature. Many Deccani experts like Sheikh Ashraf or Mulla Vajahi used the word Hindavi to describe this dialect. Others such as Roustami, Nishati etc. preferred to call it Deccani. Shah Buharnuddin Janam Bijapuri used to call it Hindi. The first Deccani author was Khwaja Bandanawaz Gesudaraz Muhammad Hasan. He wrote three prose works – Mirazul Aashkini, Hidayatnama and Risala Sehwara. His grandson Abdulla Hussaini wrote Nishatul Ishq. The first Deccani poet was Nizami.</div>
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During the later part of this period and early Bhakti Kala, many saint-poets like Ramanand and Gorakhnath became famous. The earliest form of Hindi can also be seen in some of Vidyapati's Maithili works.</div>
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Love Quotes SMS Definition source link (google.com.pk) Urdu poetry ( Urdu Shairi ) is a rich tradition of poetry and has many differen...

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Unknown 0 Love SMS In Telugu 08:35

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Love SMS In Telugu Definition</h2>
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<div>
Urdu poetry ( Urdu Shairi ) is a rich tradition of poetry and has many different forms which were basically originated from Arabic and borrowing much from the Persian language, it is today an important part of the cultures of Pakistan and India. Like other languages, the history of Urdu poetry shares origins and influences with other linguistic traditions within the Urdu-Hindi-Hindustani mix. Literary figures as far back as Amir Khusro (1253-1325 CE) and Kabir (1440–1518 CE) inspired later Urdu poets, and served as intellectual and linguistic sources. Meer, Dard, Ghalib, Anis, Dabeer, Iqbal, Zauq, Josh, Jigar, Faiz, Firaq and Faraz are among the greatest poets of Urdu. The tradition is centered in the South Asia. Following the Partition of India in 1947, it found major poets and scholars residing primarily in modern Pakistan. Mushairas (or poetic expositions) are today held in metropolitan areas worldwide.</div>
<div>
Ghazal, is a set of two liner couplets, which strictly should end with the same rhyme and should be within one of the predefined meters of Ghazals.There has to be minimum of five couplets to form a Ghazal. Couplets may or may not have same thought. It is one of the most difficult forms of poetry as there are many strict parameters that one needs to abide by while writing Ghazal.</div>
<div>
Hamd is a poem in praise of Allah. The word "hamd" is derived from the Qur'an, its English translation is "Praise".</div>
<div>
Marsiya (or elegy), is nearly always on the death of Hasan and Husain and their families, but occasionally on the death of relatives and friends. It is usually in six-lined stanzas with the rhyme aaaabb. The recitation of these elegies in the first ten days of Muharram is one of the greatest event in Muslim life. A fully developed marsiya is always an epic. The famous marsia writers who inherited the tradition of Mir Anis among his successive generations are Mir Nawab Ali 'Munis', Dulaha Sahab 'Uruj', Mustafa Meerza urf Piyare Sahab 'Rasheed', Syed Muhammad Mirza Uns, Ali Nawab 'Qadeem', Syed Sajjad Hussain "Shadeed" Lucknavi, Allama, Dr.Syed Ali Imam Zaidi, "Gauher" Luckhnavi the(great grandson of Mir Babber Ali Anis).</div>
<div>
Masnavi, in the majority of cases a poetic romance. It may extend to several thousand lines, but generally is much shorter. A few masnavis deal with ordinary domestic and other occurrences. Mir and Sauda wrote some of this kind. They are always in heroic couplets, and the common metre is bacchic tetrameter with an iambus for last foot. The Religious masnavi History of Islam (Tarikh-e-Islam Az Quran) written by Dr. Syed Ali Imam Zaidi Gauher Lucknavi.</div>
<div>
Naat is a poetry that specifically praises the Islamic prophet Muhammad.</div>
<div>
Nazm Urdu nazm is a major part of Urdu poetry. From Nazeer Akarabadi, Iqbal, Josh, Firaq, Akhtarul Iman to down the line Noon Meem Rashid, Faiz, Ali Sardar Jafri and Kaifi Azmi. They have covered common life, philosophical thinking, national issues and the precarious predecament of individual human being.As a distinct form of Nazm many Urdu poets influenced by English and other European poets took to writing sonnets in Urdu language. Azmatullah Khan (1887-1923) is believed to have introduced this format to Urdu Literature. The other renowned Urdu poets who wrote sonnets were Akhtar Junagarhi, Akhtar Sheerani, Noon Meem Rashid, Zia Fatehabadi, Salaam Machhalishahari and Wazir Agha.</div>
<div>
Qasida, a kind of ode, often panegyric on a benefactor, sometimes a satire, sometimes a poem dealing with an important event. As a rule it is longer than ghazal, but it follows the same system of rhyme.</div>
<div>
Qawwali, is a form of Urdu poetry read along with devotional music, A Qawwali is almost always dedicated to particular Sufi.</div>
<div>
Shayari, a beautiful musical form of Urdu poetry allows a person to express the deepest feelings through words. It lets you explain sentiments in all their forms through rhythmic words.</div>
<div>
Ruba'i, is a poetry style, the Arabic term for "quatrain". The plural form of the word, ruba?iyat, often anglicised rubaiyat, is used to describe a collection of such quatrains.</div>
<div>
Tazkira, biographical anthology, almost always of poetry alone. This is often a mere collection of names with a line or two of information about each poet, followed by specimen of his composition. On the other hand it may be the history of Urdu poetry with copious illustrative extracts. The best tazkiras give biographical details, but fail in literary criticism, and we get little idea of style or poetical power, still less of contents of poems. Even the large anthologies do not systematically review an author's work. Most of them have the names in alphabetical order, but one or two prefer historical order. The majority quote only lyrics, and the quotations, usually chosen at random, do not illustrate poetry.</div>
<div>
Literature in Hindi languages (Hindi: ?????? ???????) includes literature in the various Central Zone Indo-Aryan languages which have writing systems. It is broadly classified into four prominent forms (styles) based on the date of production. They are :</div>
<div>
<br /></div>
<div>
Vir-Gathas (poems extolling brave warriors) – 11th–14th century</div>
<div>
Bhakti era poems (devotional poems) – 14th–18th century</div>
<div>
Riti or Srngar poems (poems of romance) – 18th–20th century</div>
<div>
Adhunik literature (modern literature) – 20th century onwards</div>
<div>
The literature was produced in dialects such as Braj, Bundeli, Awadhi, Kannauji, Khariboli, Marwari, Angika, Vajjika, Maithili, Magahi and Bhojpuri. From 20th century, works produced in Standard Hindi, a register of Hindustani, is sometimes regarded as the only basis of modern literature in Hindi.</div>
<div>
Literature of Adi kal (c. before 15th century CE) was developed in the regions of Kannauj, Delhi, Ajmer stretching up to central India. Prithviraj Raso, an epic poem written by Chand Bardai (1149 – c. 1200), is considered as one of the first works in the history of Hindi literature. Chand Bardai was a court poet of Prithviraj Chauhan, the famous ruler of Delhi and Ajmer during the invasion of Muhammad of Ghor.</div>
<div>
<br /></div>
<div>
Jayachand, the last ruler of Kannauj belonging to the Rathore Rajput clan, gave more patronage to Sanskrit (which was no longer the common man's language in this period) rather than local dialects. Harsha, the author of Naishdhiya Charitra, was his court poet. Jagnayak (sometimes Jagnik), the royal poet in Mahoba, and Nalha, the royal poet in Ajmer, were the other prominent literary figures in this period. However, after Prithviraj Chauhan's defeat in the Second Battle of Tarain, most literary works belonging to this period were destroyed by the army of Muhammad of Ghor. Very few scriptures and manuscripts from this period are available and their genuineness is also doubted.</div>
<div>
<br /></div>
<div>
Some Siddha and Nathpanthi poetical works belonging to this period are also found, but their genuineness is again, doubted. The Siddhas belonged to the Vajrayana, a later Buddhist cult. Some scholars argue that the language of Siddha poetry is not an earlier form of Hindi, but Magadhi Prakrit. Nathpanthis were yogis who practised the Hatha yoga. Some Jain and Rasau (heroic poets) poetry works are also available from this period.</div>
<div>
<br /></div>
<div>
In the Deccan region in South India, Dakkhini or Hindavi was used. It flourished under the Delhi Sultanate and later under the Nizams of Hyderabad. It was written in the Persian script. Nevertheless, the Hindavi literature can be considered as proto-Hindi literature. Many Deccani experts like Sheikh Ashraf or Mulla Vajahi used the word Hindavi to describe this dialect. Others such as Roustami, Nishati etc. preferred to call it Deccani. Shah Buharnuddin Janam Bijapuri used to call it Hindi. The first Deccani author was Khwaja Bandanawaz Gesudaraz Muhammad Hasan. He wrote three prose works – Mirazul Aashkini, Hidayatnama and Risala Sehwara. His grandson Abdulla Hussaini wrote Nishatul Ishq. The first Deccani poet was Nizami.</div>
<div>
<br /></div>
<div>
During the later part of this period and early Bhakti Kala, many saint-poets like Ramanand and Gorakhnath became famous. The earliest form of Hindi can also be seen in some of Vidyapati's Maithili works.</div>
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Love SMS In Telugu In Hindi English Urdu In Marathi Messages Hindi Girlfriend Images Tamil In Hindi Shayari Bangla

Love SMS In Telugu Definition source link (google.com.pk) Urdu poetry ( Urdu Shairi ) is a rich tradition of poetry and has many diffe...

Love Sad SMS In Hindi English Urdu In Marathi Messages Hindi Girlfriend Images Tamil In Hindi Shayari Bangla

Unknown 0 Love Sad SMS 08:25

<h2>
Love Sad SMS Definition</h2>
<div>
<b>source link (google.com.pk)</b></div>
<div>
<div>
Urdu poetry ( Urdu Shairi ) is a rich tradition of poetry and has many different forms which were basically originated from Arabic and borrowing much from the Persian language, it is today an important part of the cultures of Pakistan and India. Like other languages, the history of Urdu poetry shares origins and influences with other linguistic traditions within the Urdu-Hindi-Hindustani mix. Literary figures as far back as Amir Khusro (1253-1325 CE) and Kabir (1440–1518 CE) inspired later Urdu poets, and served as intellectual and linguistic sources. Meer, Dard, Ghalib, Anis, Dabeer, Iqbal, Zauq, Josh, Jigar, Faiz, Firaq and Faraz are among the greatest poets of Urdu. The tradition is centered in the South Asia. Following the Partition of India in 1947, it found major poets and scholars residing primarily in modern Pakistan. Mushairas (or poetic expositions) are today held in metropolitan areas worldwide.</div>
<div>
Ghazal, is a set of two liner couplets, which strictly should end with the same rhyme and should be within one of the predefined meters of Ghazals.There has to be minimum of five couplets to form a Ghazal. Couplets may or may not have same thought. It is one of the most difficult forms of poetry as there are many strict parameters that one needs to abide by while writing Ghazal.</div>
<div>
Hamd is a poem in praise of Allah. The word "hamd" is derived from the Qur'an, its English translation is "Praise".</div>
<div>
Marsiya (or elegy), is nearly always on the death of Hasan and Husain and their families, but occasionally on the death of relatives and friends. It is usually in six-lined stanzas with the rhyme aaaabb. The recitation of these elegies in the first ten days of Muharram is one of the greatest event in Muslim life. A fully developed marsiya is always an epic. The famous marsia writers who inherited the tradition of Mir Anis among his successive generations are Mir Nawab Ali 'Munis', Dulaha Sahab 'Uruj', Mustafa Meerza urf Piyare Sahab 'Rasheed', Syed Muhammad Mirza Uns, Ali Nawab 'Qadeem', Syed Sajjad Hussain "Shadeed" Lucknavi, Allama, Dr.Syed Ali Imam Zaidi, "Gauher" Luckhnavi the(great grandson of Mir Babber Ali Anis).</div>
<div>
Masnavi, in the majority of cases a poetic romance. It may extend to several thousand lines, but generally is much shorter. A few masnavis deal with ordinary domestic and other occurrences. Mir and Sauda wrote some of this kind. They are always in heroic couplets, and the common metre is bacchic tetrameter with an iambus for last foot. The Religious masnavi History of Islam (Tarikh-e-Islam Az Quran) written by Dr. Syed Ali Imam Zaidi Gauher Lucknavi.</div>
<div>
Naat is a poetry that specifically praises the Islamic prophet Muhammad.</div>
<div>
Nazm Urdu nazm is a major part of Urdu poetry. From Nazeer Akarabadi, Iqbal, Josh, Firaq, Akhtarul Iman to down the line Noon Meem Rashid, Faiz, Ali Sardar Jafri and Kaifi Azmi. They have covered common life, philosophical thinking, national issues and the precarious predecament of individual human being.As a distinct form of Nazm many Urdu poets influenced by English and other European poets took to writing sonnets in Urdu language. Azmatullah Khan (1887-1923) is believed to have introduced this format to Urdu Literature. The other renowned Urdu poets who wrote sonnets were Akhtar Junagarhi, Akhtar Sheerani, Noon Meem Rashid, Zia Fatehabadi, Salaam Machhalishahari and Wazir Agha.</div>
<div>
Qasida, a kind of ode, often panegyric on a benefactor, sometimes a satire, sometimes a poem dealing with an important event. As a rule it is longer than ghazal, but it follows the same system of rhyme.</div>
<div>
Qawwali, is a form of Urdu poetry read along with devotional music, A Qawwali is almost always dedicated to particular Sufi.</div>
<div>
Shayari, a beautiful musical form of Urdu poetry allows a person to express the deepest feelings through words. It lets you explain sentiments in all their forms through rhythmic words.</div>
<div>
Ruba'i, is a poetry style, the Arabic term for "quatrain". The plural form of the word, ruba?iyat, often anglicised rubaiyat, is used to describe a collection of such quatrains.</div>
<div>
Tazkira, biographical anthology, almost always of poetry alone. This is often a mere collection of names with a line or two of information about each poet, followed by specimen of his composition. On the other hand it may be the history of Urdu poetry with copious illustrative extracts. The best tazkiras give biographical details, but fail in literary criticism, and we get little idea of style or poetical power, still less of contents of poems. Even the large anthologies do not systematically review an author's work. Most of them have the names in alphabetical order, but one or two prefer historical order. The majority quote only lyrics, and the quotations, usually chosen at random, do not illustrate poetry.</div>
<div>
Literature in Hindi languages (Hindi: ?????? ???????) includes literature in the various Central Zone Indo-Aryan languages which have writing systems. It is broadly classified into four prominent forms (styles) based on the date of production. They are :</div>
<div>
<br /></div>
<div>
Vir-Gathas (poems extolling brave warriors) – 11th–14th century</div>
<div>
Bhakti era poems (devotional poems) – 14th–18th century</div>
<div>
Riti or Srngar poems (poems of romance) – 18th–20th century</div>
<div>
Adhunik literature (modern literature) – 20th century onwards</div>
<div>
The literature was produced in dialects such as Braj, Bundeli, Awadhi, Kannauji, Khariboli, Marwari, Angika, Vajjika, Maithili, Magahi and Bhojpuri. From 20th century, works produced in Standard Hindi, a register of Hindustani, is sometimes regarded as the only basis of modern literature in Hindi.</div>
<div>
Literature of Adi kal (c. before 15th century CE) was developed in the regions of Kannauj, Delhi, Ajmer stretching up to central India. Prithviraj Raso, an epic poem written by Chand Bardai (1149 – c. 1200), is considered as one of the first works in the history of Hindi literature. Chand Bardai was a court poet of Prithviraj Chauhan, the famous ruler of Delhi and Ajmer during the invasion of Muhammad of Ghor.</div>
<div>
<br /></div>
<div>
Jayachand, the last ruler of Kannauj belonging to the Rathore Rajput clan, gave more patronage to Sanskrit (which was no longer the common man's language in this period) rather than local dialects. Harsha, the author of Naishdhiya Charitra, was his court poet. Jagnayak (sometimes Jagnik), the royal poet in Mahoba, and Nalha, the royal poet in Ajmer, were the other prominent literary figures in this period. However, after Prithviraj Chauhan's defeat in the Second Battle of Tarain, most literary works belonging to this period were destroyed by the army of Muhammad of Ghor. Very few scriptures and manuscripts from this period are available and their genuineness is also doubted.</div>
<div>
<br /></div>
<div>
Some Siddha and Nathpanthi poetical works belonging to this period are also found, but their genuineness is again, doubted. The Siddhas belonged to the Vajrayana, a later Buddhist cult. Some scholars argue that the language of Siddha poetry is not an earlier form of Hindi, but Magadhi Prakrit. Nathpanthis were yogis who practised the Hatha yoga. Some Jain and Rasau (heroic poets) poetry works are also available from this period.</div>
<div>
<br /></div>
<div>
In the Deccan region in South India, Dakkhini or Hindavi was used. It flourished under the Delhi Sultanate and later under the Nizams of Hyderabad. It was written in the Persian script. Nevertheless, the Hindavi literature can be considered as proto-Hindi literature. Many Deccani experts like Sheikh Ashraf or Mulla Vajahi used the word Hindavi to describe this dialect. Others such as Roustami, Nishati etc. preferred to call it Deccani. Shah Buharnuddin Janam Bijapuri used to call it Hindi. The first Deccani author was Khwaja Bandanawaz Gesudaraz Muhammad Hasan. He wrote three prose works – Mirazul Aashkini, Hidayatnama and Risala Sehwara. His grandson Abdulla Hussaini wrote Nishatul Ishq. The first Deccani poet was Nizami.</div>
<div>
<br /></div>
<div>
During the later part of this period and early Bhakti Kala, many saint-poets like Ramanand and Gorakhnath became famous. The earliest form of Hindi can also be seen in some of Vidyapati's Maithili works.</div>
<div style="font-weight: bold;">
<br /></div>
</div>
<div style="text-align: center;">
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Love Sad SMS In Hindi English Urdu In Marathi Messages Hindi Girlfriend Images Tamil In Hindi Shayari Bangla

Love Sad SMS Definition source link (google.com.pk) Urdu poetry ( Urdu Shairi ) is a rich tradition of poetry and has many different f...